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            The 
                  Backstory, p. 3
           
           
             
             
            
             Belize and London
            
             
            
             The next location was actually two: a 
                  rain forest research station in Belize and The Natural History 
                  Museum (NHM) in London, which operates the station. NHM had 
                  built its own Webcasting facility and sought us out as collaborators 
                  so its staff could learn to use the new facility. As a result, 
                  we served as a training group for our colleagues as well as 
                  producers of our own material. In turn, NHM provided us with 
                  technical support during our London and Belize Webcasts, and 
                  offered access to most of the materials and people we needed. 
                  We had two separate field crews and alternated Webcasts between 
                  the two locations to show the relationship between field and 
                  museum research. Using the network news model, we experimented 
                  with having live guests from both locations together on the 
                  same show—an extreme technical and time-zone challenge.
              
              
             Production work in a tropical rain forest carries its own set 
                  of problems: Rain interrupted the satellite transmission on 
                  more than one occasion, and one of our video producers unwittingly 
                  played host to a bot fly in Belize, and required treatment at 
                  a tropical medicine clinic during the London shoot. We used 
                  this hard-won footage in the Webcast studio, projecting a video 
                  montage to evoke a forest setting and contrasted it with behind-the-scenes 
                  footage from the vast collections of NHM. We also used carefully 
                  selected photographs for the Web site, experimenting with a 
                  more aesthetic visual and artistic style.
            
             
             
            
             Cold Spring Harbor Laboratory
            
             
            
             After a long search, we chose Cold Spring 
                  Harbor Laboratory as the location for stories about DNA and 
                  the Human Genome Project. We used the 50th anniversary of the 
                  discovery of the double helix to give audiences a behind-the-scenes 
                  look at a scientific conference and the kinds of formal talks, 
                  informal conversations, and personal stories that emerge when 
                  scientists gather. On our Web site, we annotated the paper written 
                  by Watson and Crick about their work (published in Nature in 
                  1953), with explanations of the scientific terms and concepts 
                  as well as commentary that addressed the controversies and the 
                  cultural and scientific context of this groundbreaking discovery. 
                  For the Webcast series, we experimented with streaming directly 
                  from the conference at Cold Spring Harbor to our Web site rather 
                  than connecting with the museum floor. The Webcasts were informal 
                  conversations with the pioneers and future stars of molecular 
                  biology. Guests were poached from the conference presenters 
                  and attendees, and included Jim Watson and other Nobel laureates.
            
             
             
            
             Astrobiology
            
           
           
             
            
             We are just beginning to work on the final
             
              Origins
             
             Web site, which focuses on astrobiology. We intend 
                  to explore both the search for life outside our planet and the 
                  origins and extremes of life on earth. We have chosen NASA Ames 
                  and a radio telescope at Arecibo, Puerto Rico, as our locations, 
                  but we’re discovering that the research is focused not 
                  just on earth, but on other planets and moons in our solar system 
                  and beyond. It will be a challenge to capture the multidisciplinary 
                  nature of the field, and to integrate the study of life’s 
                  origins on our planet with the search for intelligence in distant 
                  worlds.
            
             
             
            
             
              Final Advice for Our Colleagues
             
            
             
            
             If we had known the full scope of the 
                  tasks we were undertaking with the
             
              Origins
             
             project, we 
                  might never have taken it on. It was an ambitious project and 
                  a tremendous amount of work, but also an incredible learning 
                  experience. We’ve worked hard to keep the experimental 
                  process alive, while also revealing the creative nature of scientific 
                  exploration to our audience.
              
              
             During this three-year process, the technology and our audience 
                  have grown as much as we have. In the beginning, our productions 
                  were a bit like the early days of television. Sometimes the 
                  technology failed and we made some embarrassing mistakes, but 
                  relatively few people were watching. With increasing use of 
                  broadband technology and with more and more people accessing 
                  streaming video on the Web, our on-line audience is growing 
                  and far exceeds our museum-visiting audience. Even with this 
                  expanded audience, the field of Web-mediated informal science 
                  education is not yet at the point where failed experiments are 
                  intolerable. Our advice to colleagues is to plunge in, invent 
                  your own programming style, and reach new audiences worldwide.
              
              
             —July 2003
            
             
           
           
          
           
            
              
            
           
           
          
           
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