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                       In  the Land of the Lilliputian:
                      
                      Artists  Visualize the Very Small
                     
                     
                    
                     
                      July 1 - September 24,  2006 in the  Seeing Gallery
                     
                     
                    
                     It is exceedingly difficult to visualize the world at  a “nano” level—to conjure images of the shapes of atoms and the movement of  molecules. In reality, there is so much space between atoms in a  seemingly-solid surface that it’s hard to believe that they are part of the  same object. But new tools have allowed us intriguing glimpses of this  infinitesimal world—and the artists whose work appears in this exhibition have  attempted to visualize these foreign yet ubiquitous worlds.
                      
                      
                     
                      200 Nanowebbers
                     
                      
                     by
                     
                      Semiconductor
                     
                     (Ruth Jarman and Joseph  Gerhardt)
                      
                     For
                     
                      
                       200  Nanowebbers
                      
                     
                     ,
                     
                      Semiconductor
                     
                     have created a molecular web generated by
                     
                      Double  Adaptor’s
                     
                     soundtrack. Rhythms and melodies spawn a nanoscale environment  shifting and contorting to sound. Layers of energetic hand-drawn animations  play over the vector shapes forming atomic-scale associations. As  the landscape flickers into existence by the light of trapped electrons,  substructures resembling crystalline solids begin to take shape.
                     
                    
                     
                      
                       Zero@wavefunction
                      
                     
                      
                     by Victoria Vesna in collaboration with  James Gimzewski;
                      
                     software art by Josh Nimoy
                      
                     The interactivity  of
                     
                      
                       Zero@wavefunction
                      
                     
                     is based on the  way nanoscientists manipulate individual molecules billions of times smaller  than common human experience by projecting them at monumental scales. Visitors  cast larger-than-life shadows on molecules and activate responsive “buckyballs,”  revealing the possibility of using one’s body to manipulate the miniscule.
                      
                      
                      
                     
                    
                     
                       
                      Nanoscape programs are funded in part by a grant from the National Science Foundation. Additional funding by San Francisco Grants for the Arts/Hotel Tax Fund.
                      
                     
                    
                     
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